Meet the men.
Pick your AI Zaddie.

Successful, polished, educated and very aware of his résumé. Kingston is a high-powered attorney who has never been married because, according to him, he refuses to settle. His problem? He keeps dating women in their 20s, then complaining that they are too young, play games and want his lifestyle more than they want him.

Charles knows his lane: older women. He likes maturity, confidence, experience and a woman who already knows who she is. But he has one extra requirement that keeps getting him in trouble with production: Is she seasoned, and can she cook?

Jamaican, charismatic and unapologetically old-school. Thaddeus believes a man should lead and wants a woman who enjoys taking care of her man and creating a home. Ask whether his expectations are outdated and he is likely to smile and say, “Mi said what mi said.”

Former football player. Successful businessman. Plenty of confidence, and historically, plenty of women. Brett says he is tired of juggling and finally wants one woman. The question is not whether Brett can attract women. It is whether one woman can finally be enough.

Flowers. Dates. Open doors. Calls when he says he will. Garrett believes in actually treating a woman well, yet somehow his relationships still do not last. His diagnosis? He is simply too nice. Production is skeptical. Garrett is sticking to his story.

Langston has lived enough life for several seasons. After serving 15 years incarcerated, he rebuilt his life and became the owner of a contracting company. Then there is his romantic history: five baby mamas and a family dynamic that is not disappearing because he is dating.

Confident, flirtatious and Hispanic with a slight accent, Diego has absolutely no confusion about his type: he wants a Black woman. He openly admires Black women's beauty, confidence and range of skin tones, and he is not shy about saying it.

Apollo looks like money. The clothes are right. The confidence is definitely right. The finances? Read the fine print. His credit has seen better days and his pockets are not currently matching the presentation, but Apollo insists this chapter is temporary.

Jakari came from street life and says that version of him is behind him. Calm, controlled and mysterious, he does not volunteer details. Every answer seems to create another question, and production quickly realizes there are stories he is not telling on camera.